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Toutes les publications du LaM
Les publications de nos chercheur.es sont généralement éditées dans des livres, revues ou chapitres de livres.
Les dernières publications
Auteur(s): Marie CORNAZ (LaM) |
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Editeur: Robert Sholl Contibuteur(s): Christopher MURRAY (LaM) et Peter ASIMOV (LaM) |
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Editeur: Michel Duchesneau et Federico Lazzaro Contibuteur(s): Valerie DUFOUR (LaM) et Marie-Pier Leduc (LaM) |
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Women Composers in New Perspectives, 1800-1950: Genres, Contexts and RepertoiresAuteur(s): Mariatersa Storino, Susan Wollenberg Contibuteur(s): Fauve BOUGARD (LaM) et Peter ASIMOV (LaM)Description: This volume offers new scholarship on women composers of the past two centuries, covering a wide range of repertoire, institutions and locations, with chapters focusing on such varied topics as women writing opera in early nineteenth-century Paris; the intertextual relationship between works by Fanny Hensel and Felix Mendelssohn; women composers writing for instruments not usually associated with them in their time – specifically horn, and organ; and the subversive musical activity of female prisoners in Spain under the Franco regime. La publication fait suite au colloque ‘Women Are not Born to Compose : Female Musical Works from 1750 to 1950' organisé par le Centro Luigi Boccherini en novembre 2020 et inclut deux contributions de membres du LaM :
Edition: Brepols Collection: Speculum Musicae Année: 2023 En savoir plus |
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Early Sound Recordings: Academic Research and PracticeEditeur: Eva MOREDA RODRIGUEZ, Inja STANOVI Contibuteur(s): Joanna STARUCH-SMOLEC (LaM)Description: The use of historical recordings as primary sources is relatively well established in both musicology and performance studies and has demonstrated how early recording technologies transformed the ways in which musicians and audiences engaged with music. This edited volume offers a timely snapshot of a wide range of contemporary research in the area of performance practice and performance histories, inviting readers to consider the wide range of research methods that are used in this ever-expanding area of scholarship. The volume brings together a diverse team of researchers who all use early recordings as their primary source to research performance in its broadest sense in a wide range of repertoires within and on the margins of the classical canon – from the analysis of specific performing practices and parameters in certain repertoires, to broader contextual issues that call attention to the relationship between recorded performance and topics such as analysis, notation and composition. Including a range of accessible music examples, which allow readers to experience the music under discussion, this book is designed to engage with academic and non-academic readers alike, being an ideal research aid for students, scholars and performers, as well as an interesting read for early sound recording enthusiasts. Ce volume dresse un panorama des approches des enregistrements anciens dans les recherches scientifiques et artistiques contemporaines, avec participation d'une membre du LaM
Edition: Routledge Année: 2023 En savoir plus |
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